Post from Truth Social

The only choice on record here is which image to publish, four days after real US strikes on Iranian targets and three days into a run of AI-composited war memes (sunk Iranian navy, exploding drones) posted alongside the Pritzker fat-shaming image on May 9. This one keeps the same formula: a photorealistic MQ-9 firing on two Iranian speedboats, both engulfed in fireballs, banner text reading "BYE BYE, 'Fast Boats'" — a taunt built on the IRGC's own term for its fast-attack tactics. Publishing it extends the "love tap" / "one big glow" framing from the May 7 strikes into visual form: military violence rendered as a punchline, an adversary's watercraft turned into a caption gag mid-explosion.

The posture is triumphant rather than threatened — a shift from the vulnerable, grievance-heavy overnight spree of May 11–12 (Obama, Biden, the $100 bill) to grandiose display, casting the administration as the unchallenged inflicter of consequences and Iran's navy as an object of mockery rather than a serious threat. That contrast — vulnerable rage at domestic critics hours earlier, then swaggering celebration of a foreign strike — reads as compartmentalized targeting: humiliation is safe to enjoy when it lands on an external adversary rather than a domestic one.

There's no caption asserting a fact, so nothing here is a truth-claim to check; the meme's "bye bye" is mockery, not testimony. The risk register isn't a new threat so much as normalization: publishing cartoon footage of a strike as a punchline, days after warning Iran of "one big glow," keeps live military conflict in the register of entertainment.